
The sketch
Every commissioned piece begins in pencil. Sketches and revisions go back and forth over several days before any metal is cut. Each design is logged with the customer brief.
A walk-through of the six stations every Nandai piece passes through — from the sketch on paper to the courier handover. Photography is currently a mix of catalogue product imagery and a stand-in ambient loop; verified workshop footage from Karan's Jaipur shoot will replace it.
Watch a real piece move through the workshop. These loops were shot last week — the bench, the kiln, the hands are real and currently working on the orders behind these videos.
The piece starts in pencil. The designer and the customer trade revisions over 3–5 days before any metal is cut.
The brass base is shaped, kundan-style polki and American diamonds are seated, and each bezel is burnished closed by hand. The antique-gold shimmer comes from the plating.
Meenakari-style enamel is hand-painted onto the gold-plated base in layers — peacock blue, parrot green, cinnabar red — and cured between coats, then polished by hand.
The piece is quality-inspected for plating and stone-set, photographed, packed into a hand-stitched cloth pouch, and the package is hand-addressed.
The same six benches handle every order — whether it is an off-the-shelf catalogue piece or a commissioned custom set. The materials are fashion-jewellery; the hands are heritage.

Every commissioned piece begins in pencil. Sketches and revisions go back and forth over several days before any metal is cut. Each design is logged with the customer brief.

Kundan-style setting is hand-work. Each kundan-style polki or American-diamond stone is seated into a plated brass bezel and the bezel is burnished closed. The antique-gold shimmer comes from the quality plating, not the polish.

Meenakari-style enamel is hand-painted onto the engraved gold-plated base in layers, cured between coats, then polished. The colours echo the traditional palette — peacock blue, parrot green, cinnabar red — and are applied by Jaipur artisans.

A traditional finish: bamboo skewers, rouge powder, and chamois leather. Three passes per surface; the last one is done by hand.

Every piece is hand-inspected for plating consistency, stone setting, and finish before it leaves the workshop. The Nandai trademark card travels with the piece — proof of design provenance and care guidance.

Pieces ship in a hand-stitched cloth pouch, in a protective outer box, via insured courier. International orders go signature-on-delivery.
Three materials carry the entire catalogue. Nandai is a fashion-jewellery brand — gold-plated brass, kundan-style polki, American diamonds, hand-painted meenakari finish. If you have ever wondered what those terms actually mean, this is the part of the site that finally clears it up.
┌─ Antique-gold finish
│ (quality plating)
│
└─ Brass alloy base
(structural body)Nandai pieces are gold-plated brass — a quality plating in our signature antique-gold tone over a brass alloy body. Traditional Kundan uses thin gold leaf over a heavier gold structural body; we reinterpret that visual language in fashion-jewellery materials so the heritage aesthetic is accessible at ₹1,500–3,000.
Kundan-style polki = faux uncut stones American diamonds = cubic zirconia (CZ) Faux pearls = glass / shell beads
Traditional polki uses uncut natural diamonds and Kundan uses uncut natural colour stones. Nandai pieces use kundan-style polki (faux uncut stones) and American diamonds (cubic zirconia, the Indian fashion-jewellery standard for CZ). The setting technique honours the heritage look without the precious-stone price tag.
Hand-paint → cure → polish ↓ Hand-paint → cure → polish → finish
Traditional Meenakari fuses powdered glass to gold at ~900°C. Nandai uses a hand-painted meenakari-style enamel finish on gold-plated bases — peacock blue, parrot green, cinnabar red — applied and cured in layers by Jaipur artisans. The visual language of Meenakari, in fashion-jewellery form.
Nandai is a fashion-jewellery brand — gold-plated brass, kundan-style polki, American diamonds. We tell you exactly what each piece is made from and who made it. No marketing dressed up as certification.
Four roles, four placeholders. Real names, generations, and quotes ship after our next Jaipur photo shoot — we do not fabricate artisan identities, so the slots are visibly empty until they are real.
“[30-word quote pending: artisan reflection on inherited setting technique, the role of the bone burnisher, what they look for when seating a kundan-style stone in the bezel.]”
“[30-word quote pending: painter reflection on the peacock-blue palette, the layered hand-painted process on gold-plated bases, what makes the cinnabar red sit right against parrot green.]”
“[30-word quote pending: polisher reflection on the three-pass bamboo-and-rouge finish, why the last pass is always by hand, and how the antique-gold tone is judged by eye.]”
“[30-word quote pending: inspector reflection on the plating-consistency check, the stone-set audit under raking light, and what makes a piece worth the Nandai trademark card.]”
We welcome serious B2B partners and stylists to visit the atelier by appointment. Tea is included. We don't pitch — we show you the bench and let you ask anything.